Showing posts with label Shins. Show all posts
Showing posts with label Shins. Show all posts

Tuesday, March 06, 2007

Odds and Sods

Salon's Audiofile podcast this week is a chat with Shins frontman James Mercer.







The new Wilco record, Sky Blue Sky, has leaked all over the place, over 2 months before its May 15 release date, but you can download one track, "What Light," right now with their compliments.






Speaking of upcoming releases, mark your calendars, White Stripes and Ryan Adams fans. The Stripes have wrapped up work on Icky Thump in Nashville and promise to deliver it "as soon as corporately possible," while Mr. Adams will deliver Easy Tiger on June 5. Just the one this year, Ryan?


Recent show reviews at Pitchfork have featured some really exceptional photography by a New York artist named Kathryn Yu. She has a blog that features some of her work, and regularly posts photostreams at Flickr as well. Her shots of the Arcade Fire shows at Judson Memorial Church last month were the first ones to catch my eye.


The long lost Dylan-Seuss sessions -- genius!











Finally, "Ms. Lefevre," a cheesy video made in 1996 by a Vancouver punk-pop trio called Maow. Why should you watch it? Because their drummer was a little hottie named Neko Case, that's why.


Kathryn Yu recently shot Neko, too. (Thanks, Jo, for the Neko-Maow tip.)

Wednesday, January 24, 2007

"Listen To This, It'll Change Your Life"

At least 6 months later than planned, weighted with over-the-top anticipation from their larger, post-Garden State fanbase, and in the wake of a poor-quality rip that leaked onto the Internet last fall, the new record from The Shins, Wincing The Night Away, was finally released yesterday. So, does it live up to all the hand-wringing? In large part, you bet it does. While not as immediately and uniformly engaging as either Oh, Inverted World or Chutes Too Narrow, this record is another heaping dose of the winsome, beautiful folk-pop that inspired Natalie Portman's cinematic alter ego to utter that now-famous line.

The difference is that much of this record requires you to work just a bit harder as a listener in order to uncover the many pleasures it has to offer. The production is more dense -- in fact, almost fussed-over in places, which is not surprising given the immense pressure these guys were under to deliver something undeniably awesome -- and some of the songs reveal the full measure of their charms only after several spins. Opening track "Sleeping Lessons," for one, rides a looping keyboard figure and highly distorted James Mercer vocal for over 2 minutes before finally exploding into straight up guitar-pop bliss. There's also the matter of Mercer's lyrics, which are as oblique here as ever, and in places downright impenetrable. (Half the time, I have absolutely no clue what he's singing about.) But when the melodies are as intoxicatingly close-to-perfect as they are on first single "Phantom Limb," "Sea Legs" (which sounds to me like a long-lost Smiths track), "Girl Sailor" (previewed here last week) or -- best of all -- "Australia," and delivered in Mercer's lovely, swooping voice, it hardly seems to matter. With The Shins, it's usually the music that conveys the emotion, while Mercer's lyrics, as one reviewer aptly put it this week, "do a great job saying 'I love you' or 'I miss you' without stooping to actually say either."

It's not their masterpiece, and top-to-bottom it's probably not even quite as wonderful as Chutes Too Narrow, but this is another strong outing from The Shins, containing some of their finest and most interesting work. In other words, well worth the wait.

BONUS: The Shins - "Phantom Limb" (now a free download from Sub Pop)

Saturday, January 13, 2007

Won One Too Many Fights


Just can't wait for The Shins' Wincing The Night Away to be released on the 23rd? Well, I'm not going to post any tracks from the record, which leaked months ago -- we don't need Sub Pop on our asses in our first week of existence -- but here's a little preview that shouldn't get us into any hot water: Shins lead singer and songwriter James Mercer, from a solo acoustic performance in October of 2004, doing a song that circulated then as "Won One Too Many Fights," but appears on the new record as "Girl Sailor." It's a typically sweet and elegant Mercer tune, even stripped down like this. Imagine it fleshed out by the band and beautifully produced, and you have a sense of what you can expect in 10 days.